The Magic of Fairy Tales: How children’s stories changed whole generations by first changing magnificent writers

In J. M. Barrie’s classic fairy story, Peter Pan explains to Wendy that beautiful, delicate creatures are born from the joy of a child.

When the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies.

Fairy tales like this are simple, but complex at the same time. They communicate deep truths and morals and they can instill this joy, delight, and wonder while still cutting into the human soul. Maybe we need to return to those important parts of our childhood: joy, delight, and wonder in the simple things. Maybe fairy tales still matter.

Read the rest in the latest issue of Fathom Mag to find out why fairy tales still matter. 

If Love is God, Love Will Fail

I was never any good at romantic love. I feared falling in love — being vulnerable with my emotions. I knew whoever I married would need to be a worthy man according to Scripture, but also someone I could fall in love with, and that second part scared me. As I dated my husband, two big questions hovered over our relationship:

Was he godly? Yes.
Do I love him? Yes, I do.

But it did not end there, like I had thought it would. Because I had overcome my fear of falling in love and “took the plunge,” I thought I had arrived. I thought we had arrived. Instead, I realized that, though I had fallen in love, I did not know a thing about true love. In fact, God walked me and all my fears about love through the door of romantic love on my wedding day in order to teach me about his true and lasting love in new and deeper ways.

Two Loves

There is a clear distinction between biblical love and romantic love. Biblical love is unnatural to us, so it is always worked in us by the Holy Spirit. No one loves like God without God’s help. Romantic love comes more naturally to us, and therefore happens easily.

Romantic love is a good gift of God’s common grace meant for our enjoyment, and it is good for this type of love to develop into marriage. Biblical love is a different category altogether. At its core, biblical love is selfless, committed to truth, and driven by a divine work inside of us. It never happens unless we draw near to God in Christ. Biblical love can also be expressed and experienced in any relationship, while romantic love is exclusive — designed to be expressed and experienced (at least ultimately) with one person in marriage.

Romantic feelings only scratch the surface of God’s design for us. They give us a glimmer of the ecstatic feelings God has for us, the kind of feelings that lead him to sing over us (Zephaniah 3:17). Biblical love takes us even deeper into that wondrous love. Our love for one another models his covenant love for us — a love so zealous to uphold his covenant with us that he will die for us, even when he had every reason to leave us.

Death is at the center of God’s love for us, and death is at the heart of all biblical love. The covenant vows we make on our wedding day are a death sentence of love. We vow to die to self, in every season of marriage, for the other — to keep the covenant at all costs, doing whatever it takes to serve our spouse’s joy in Jesus.

Read the rest at Desiring God >>

Always Good, Never Safe

If anyone should have known the fear of God, it was the Israelites.

They had front row seats as he plagued Egypt with all kinds of insects, amphibians, and diseases. He turned the Nile River to blood, covered Egypt in darkness, and even took away all the Egyptian’s firstborn sons. The God of Israel led his people out of Egypt with a pillar of cloud by day and a pillar of fire by night. He parted the Red Sea, letting his people pass through unharmed. And as Pharaoh’s armies pursued, he joined the seas back together so the waters swallowed them.

But Israel didn’t learn their lesson.

Seven weeks after this great deliverance, these newly freed slaves were preparing to be in God’s presence at the foot of Mount Sinai (Exodus 19:9–11). God instructed Moses to set limits around the mountain so that the people would not go up on it lest they die (Exodus 19:12–13). He showed himself to his people, descending upon the mountain in fire and enveloping it in smoke (Exodus 19:18). There was also a thick cloud on the mountain with shots of lightning, peals of thunder, and a loud trumpet blast (Exodus 19:16).

The people initially trembled. But their fear did not last.

Read the rest at Desiring God >>

Seeking Revelation in Anthony Bourdain’s Parts Unknown

I recently had my second post over at Think Christian up a few days ago. Here is a short excerpt and a link to the original post:

Anthony Bourdain is more than just a crass, foodie traveler known for eating rotten shark meat and a still-beating cobra heart. In his CNN show Parts Unknown, Bourdain reveals the many layers of faraway cultures. Fast Company’s Rob Brunner writes that “Bourdain is on a mission to illuminate underappreciated and misunderstood cultures, whether it’s Myanmar or Detroit. He regularly takes viewers to the sorts of places—Libya, Gaza, Congo—that most Americans know only from grim headlines about political strife and body counts.”

Season 7 of Parts Unknown concluded in the streets of Buenos Aires this past June. The episode hinged on extended therapy sessions, as Bourdain invited us into the “dark crannies of my skull” in honor of the psychology-obsessed Argentinians. He can also be found engaging in the local pastime of lawn chair-lounging and beer sipping while watching airplanes land.

Read the rest >>

 

 

Stranger Things and Our Quest for the Extraordinary in the Ordinary

My husband and I enjoyed the first season of this new show on Netflix. Here is a review of the show with a theological angle. 


***This article contains spoilers for the first season of the Netflix series Stranger Things.***

The Merriam-Webster Dictionary defines “strange” as “different from what is usual, normal, or expected.” The relatively new filmmakers the Duffer Brothers pulled off the unexpected by casting four middle-school-age boys as the central characters in an adult-targeted TV show. Television networks told the brothers it wouldn’t work unless they targeted the show at kids or made the two leading adult actors the main characters. They were rejected fifteen to twenty times, with one TV exec telling them, “You either gotta make it into a kids show or make it about this Hopper [detective] character investigating paranormal activity around town.” But the brothers were loyal to their own creative instincts. Matt Duffer responded by saying that if they were to follow this advice, “[t]hen we lose everything interesting about the show,” and they sought out instant streaming networks instead. The loyalty to the script for their horror/science fiction series, Stranger Things, paid off. According to Parrot Analytics, the Duffer Brothers’ Netflix summer hit was the most popular digital original series in the U.S. for the week of July 17 to 23. What TV execs perceived as strange in the Duffer Brothers choice of main characters became normal as the new Netflix series spread through Facebook and Twitter feeds.

Read the rest at Christ and Pop Culture >>