The Hope of Daybreak: An Easter Meditation

Darkness came with a bite of fruit. It traveled on to the murder of a brother, the stealing of a brother’s birthright, and the selling of a brother as a slave. The darkness was there when a king, a man after God’s own heart, committed adultery and murder. It’s always been there hovering over our heads, staining our hands, and nipping at our heels. It’s the shadow that follows us when we do good and bad.

It’s fitting then that the Light of the World had to experience the full breadth of darkness. The darkness of misunderstanding, of mocking, of sickness and fatigue. The darkness of manipulation, betrayal, and abuse. The darkness of abandonment and denial. And finally, “when the sixth hour had come, there was darkness over the whole land until the ninth hour. And at the ninth hour Jesus cried with a loud voice, ‘Eloi, Eloi, lema sabachthani?’ which means, ‘My God, my God, why have you forsaken me?’” (Mark 15:33-34). Jesus experienced a darkness we never have: the full wrath of God for the sins of the world.

As his body lay limp and lifeless, Jesus was then laid in a tomb. He experienced the darkness of the grave. The cold, the damp, closed up, shut in, and trapped in the void. Jesus can feel our pain, he can feel our darkness. He knows our sadness, our burdens, our wounds. Until we’ve walked through the depth of night, we can’t understand how glorious it is to be bathed in the white light of day.

A wind came up out of the sea,

And said, “O mists, make room for me.”

It hailed the ships, and cried, “Sail on,

Ye mariners, the night is gone.”

And hurried landward far away,

Crying, “Awake! it is the day.”

When the sun rose on that third day after Jesus’ death, it ushered in the hope of resurrection. The light of life could not stay in darkness; he vanquished it. It was like every other day, but so unlike every other day. Every sunrise gives us new hope and mercies for each day–a new start, a new beginning. The rays piercing through the horizon are a sign of victory: darkness is not permanent; the light of the sun has not left us forever. This was like the sunrise of the first Easter Sunday, and yet, it was more. The sunrise on this day was a testament of the divinity of Jesus and his power over eternal death.

It said unto the forest, “Shout!

Hang all your leafy banners out!”

It touched the wood-bird’s folded wing,

And said, “O bird, awake and sing.”

And o’er the farms, “O chanticleer,

Your clarion blow; the day is near.”

It whispered to the fields of corn,

“Bow down, and hail the coming morn.”

The physical reality of the hope in a sunrise is now a spiritual reality in the person of Jesus Christ. We know for sure that God has power over darkness. No pit is too deep, no grave too wide, no night too dark. Like David said, “If I make my bed in Sheol, you are there!” (Ps.139:8b) And he continues, “If I say, ‘Surely the darkness shall cover me, and the light about me be night,’ even the darkness is not dark to you; the night is bright as the day, for darkness is as light with you” (Ps.139:11-12).

It shouted through the belfry-tower,

“Awake, O bell! proclaim the hour.”

It crossed the churchyard with a sigh,

And said, “Not yet! in quiet lie.”

Daybreak, by Henry Wadsworth Longfellow

And yet we wait. We wait to see the full revelation of these resurrection truths. Though our souls will be with him, our bodies have yet to be raised as his. But at that final daybreak, that last sunrise of hope, our bodies will escape the cold, damp darkness of earth forever and be raised to life and power. Not yet. But Christ’s resurrection tells us the sun will come back. Of this, we can be certain.


Advertisement

Every Good Mom Dies

I’m expecting child number three soon. It feels like starting from the beginning. After two boys, we’ll be having a girl. It’s fun to put together a brand new wardrobe and nursery decorations. We enjoy hearing my sons talk about their coming baby sister. It’s exciting for me to wonder what it will be like to have a daughter.

But there is one big difference from expecting my first to expecting my third. I’ve already died. Though motherhood involves many daily deaths, having my firstborn was the decisive blow.

Read the rest at Desiring God >>

If You Want to Live Truly, Learn to Die Daily

All year round the thorn of the gorse bush has been hardening and sharpening. Even in spring, the thorn does not soften or fall off. But at last, about halfway up, two brown furry balls emerge. They are small at first, but then they fully break out of last year’s thorn to flower into a ray of sunshine. The hardness gives way to a delicate beauty. The death of the thorn splits open to produce a blossoming resurrection of life. Death and resurrection.

We find the same pattern in our own lives.

I noticed this death-and-resurrection pattern when I became a mother. I had a traumatic birth experience, my full-term baby had to be admitted to the NICU, and he wouldn’t nurse. I battled through the difficult nursing experience I had with him for two weeks, was just about to give up, and then it worked out. When we got home from the hospital he would cry all night, and not go back to sleep, even when he was just fed. I would usually cry with him.

When evening time would come, feelings of dread would make my stomach sick because I knew what night would bring. On top of this, my body was trying to adjust to this new transition. My hormones launched me into depression. I would cry a lot for no reason, and I felt a constant loneliness and then guilt on top of it all for feeling like this when I had a new baby.

This was supposed to be a joyful time. But I felt like I was dying.

Read the rest at Desiring God >>

How our Suffering Makes Way for New Life

Before getting married, I was afraid of adversity, afraid of getting hurt, and I sought to protect my heart from both of these things. But God exposed me to adversity and deep hurt five years into my marriage. I found out things about my husband I didn’t know, numerous struggles came to the forefront at this time, and we were going through counseling.

In response to all this, darkness invaded my heart and my mind. Sleep evaded me at night, I had bouts of depression, and thick anxiety clouded my thoughts. I quickly went from being “not much of a worrier” in general to extreme anxiety that felt completely out of my control. If anyone ever told me to “take my thoughts captive” it felt futile. How can someone take their thoughts captive when they can’t even discern one of them? They came at me like a myriad of daggers at once. At the same time I was in deep mourning for my marriage and the husband I thought I’d married. I suffered a grievous loss. It was like mourning a death.

Read the rest at ERLC >>

The Language of Absurdism in the Abortion Industry

In Greek mythology there was a King named Sisyphus who – as a form of punishment- was condemned to repeatedly roll a boulder up a hill only to watch it come back down. It was a lather, rinse, repeat type situation for him. The philosopher, Albert Camus, employs this mythological character in his book, The Myth of Sisyphus. In this work Camus explores the concept of absurdity as the simultaneous contradiction of the human quest for value, purpose, and meaning amid the human inability to find any. Philosopher Daniel Dennett describes this philosophy well:

Postmodernism, the school of ‘thought’ that proclaimed ‘There are no truths, only interpretations’ has largely played itself out in absurdity, but it has left behind a generation of academics in the humanities disabled by their distrust of the very idea of truth and their disrespect for evidence, settling for ‘conversations’ in which nobody is wrong and nothing can be confirmed, only asserted with whatever style you can muster.

We can see this philosophy take root in literature. In fact, the Irish playwright Samuel Beckett — one of the founders of the Theater of the Absurd —published his own absurdist work, Waiting for Godot, in 1952. The play is centered around two male characters who banter in nonsensical ways. There is no connection between their words and actions, they name objects however they feel — like calling a hand a foot and a foot a hand. One character is constantly taking his boots on and off throughout the play. Like Sisyphus, these men are condemned by their habitual actions.

For the average play-watching audience accustomed to a traditional story arc, it appears as if nothing is happening: no real plot, action, character development, climax, and resolution. The two men in Beckett’s play are unable to move or think — they aren’t even sure what day it is. All these two men do is wait. Who or what are they waiting for? They are waiting for Godot, believed by many literary scholars to represent God. Their waiting is marked by uncertainty. Will Godot come? Has he come and they’ve missed him? What should happen in the meantime? What’s the point of all the waiting? The curtain closes and Godot never comes; at least they think he never came. Of this they cannot even be sure.

Waiting for Godot is driven by a lack of truth — hence all the uncertainty. It is a play which denounces meaning and purpose in life, but the play itself cannot escape meaning and purpose. For the play’s very purpose is to show there is no meaning and purpose in the play, as well as in life. In Beckett’s created world there is no certain truth, so the next logical step leads to meaninglessness. And much like Beckett’s characters who contemplate suicide, meaninglessness leads to death.

Absurdity in Culture

The absurdist ideas presented in Waiting for Godot have continued to flourish in today’s culture. In a society where anything goes, where do we end up? Where do these ideas take us? If we accept this philosophy we have most likely rejected an eternal and objective standard of right and wrong —  we have no center, no reference point outside of ourselves. Thinking this way means there is no longer any objective truth that can be found or discerned in this world, instead we devise our own standards in accordance with our subjective desires. “To each his own,” “Live and let live,” are the mantras of our time.

With so many different ideas of right and wrong around us that appear contradictory at times, meaninglessness makes complete sense. Life is messy and doesn’t make sense; it can feel like punishment. Are we doomed to be Sisyphus all our lives? Will we ever stop waiting for Godot to come? Will he come? Has he come? Why bother with any quest for truth and meaning when personal responsibility feels hopeless?  Yet, this is exactly how our culture thinks and lives. Today we see Beckett’s characters playing out all around us; acting out their own absurdity devoid of truth and meaning. In a culture of absurdity death sprouts in many forms.

Cultural death can be found in one of the abortion industries strongest leaders: Planned Parenthood. Applying absurdism to abortion makes abortion seem right. In Beckett’s world where daily actions have no meaning, why not take away a life? (Our own or another.) Or even more mercifully, why not spare a life from the absurdity of a Sisyphus destiny?

Language Breakdown

In Waiting for Godot there is a breakdown of language due to a loss of meaning. This is why there is no true logical discussion in Beckett’s play. Once life is stripped of value and meaning it makes sense words would no longer have intrinsic value – words become arbitrary and subjective – and language becomes absurd.  We can even see this philosophy applied to the language utilized by Planned Parenthood. One way Planned Parenthood (perhaps unknowingly) attempts to extract meaning away from loaded abortion terms is through euphemisms. They have traded the word “death” for “termination”, “baby” for “fetus” or “embryo”, all the while leaving out the key word “human” in front of these terms.

In the recent undercover filming of Planed Parenthood executives, we can see glimpses of Beckett’s characters engaging in absurdity through language. Planned Parenthood executives refer to baby body parts as “fetal tissue”. “Products” are the names given to the tiny human body parts up for bid on a sale ledger. Dr. Nucatola – the first exposed PP executive from the undercover videos – describes the crushing of a baby in an abortion procedure in an effort to retrieve intact body parts:

So then you’re just kind of cognizant of where you put your graspers, you try to intentionally go above and below the thorax, so that, you know, we’ve been very good at getting heart, lung, liver, because we know that, so I’m not gonna crush that part, I’m going to basically crush below, I’m gonna crush above, and I’m gonna see if I can get it all intact. And with the calvarium, in general, some people will actually try to change the presentation so that it’s not vertex, because when it’s vertex presentation, you never have enough dilation at the beginning of the case, unless you have real, huge amount of dilation to deliver an intact calvarium. So if you do it starting from the breech presentation, there’s dilation that happens as the case goes on, and often, the last, you can evacuate an intact calvarium at the end.” 

Dr. Nucatola calls a baby’s head a “calvarium”. She is using the same nonsensical jargon Beckett’s characters use, by naming things as she sees fit. Part of the reason pro-choice and pro-life advocates have a hard time engaging with one another is because – like Beckett’s characters – we can’t even agree on terms. Language is a barrier in this battle for the unborn.

The Objective Truth of the Resurrection

As Christians fighting for the unborn we must call the bluff and reveal the true playwright behind every action, word, and story: the God of truth. God has chosen to reveal himself to us primarily through the medium of language in his Word, so if the meaning of language is altered in anyway our perception of God radically changes. This is why objective truth is so important and such a counter-cultural idea today. Because the absurd language in Waiting for Godot is a threat to the foundation of our faith, which is based on the objective reality of God. He is the reference point for all of life, and he infuses purpose and meaning in the world through his main character, Jesus Christ.

Unlike Waiting for Godot, which doesn’t have a discernible climax, the climax in God’s play was when Jesus came to Earth as a man, lived a perfect life for us, died on a cross, and rose from the dead. Christ’s resurrection proved objective truth exists. Just like what Paul says in 1 Corinthians 15:14-19:

And if Christ has not been raised, then our preaching is in vain and your faith is in vain. We are even found to be misrepresenting God, because we testified about God that he raised Christ, whom he did not raise if it is true that the dead are not raised. For if the dead are not raised, not even Christ has been raised. And if Christ has not been raised, your faith is futile and you are still in your sins. Then those also who have fallen asleep in Christ have perished.  If in Christ we have hope in this life only, we are of all people most to be pitied.”

Our faith is futile without the proven objective truth of Christ’s resurrection. If none of this is true, then like Paul says, we are of all people most to be pitied. Yet, unlike absurdist philosophy, Paul says in Christ we have hope beyond this life. We are not stuck in the futility of Beckett’s main characters or the punishment of Sisyphus. Eternity comes calling down upon all of our actions here on earth, including the killing of the unborn. Jesus came to abolish the meaninglessness of death and do away with the Becketts of our culture. Our Godot has already come, and of this we can be certain.