Chuck Norris vs. Communism and the Transformative Power of Film

Animals speak, conspire, and plot to overthrow a farmer in George Orwell’s fable Animal Farm. And in his nearly prophetic novel 1984, Orwell presents a world filled with thought police, revised history books, and surveillance from an entity called Big Brother. The concepts in these constructed literary worlds are bizarre and unrealistic, but the alternate realities hide real truths. These are the worlds buried beneath some of our past, present, and possibly future cultural and political ideologies.

Orwell poses the “What ifs?” of our time in his prophecies of doom. He sheds light on the world around us, picturing for us a completely censored and controlled culture, a world in which people are told: “You must read this and not that, you must watch this and not that, and you must think this and not that.” These made up worlds are in reality representations of our world and its history. For many countries, this was the world in which they lived; it was not made up. People felt this reality in their own lives: the reality of being watched, interrogated, reported, and being told what to think, the thick fog of paranoia blocking their vision, while their very words were censored. This was (and in some countries still is) the world of communism.

The western world (particularly the United States) has directly interacted with the leaders/dictators who promote this ideology. We were involved in the Vietnam War, the Korean War, and we played major roles in the Cold War. But in 1989 the downfall of communism in Romania was planted by a small seed from the west. The United States played an indirect role this time and unknowingly sparked a revolution in Romanian hearts. The revolution didn’t involve weapons, armies, missiles, invasions, or financial aid—it came on reels of film from the Hollywood hills.

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The Daily Work of the Spirit

Growing up in the church I was familiar with ministry nights. I also grew up experiencing the full gamut of Christian conferences and retreats. These events included extended times of prayer and worship accompanied by serene guitar strums and low lighting. Sensing the presence of the Holy Spirit felt as effortless as the melodies falling softly on my ears. These felt like special times when God would reveal himself to me in my stillness, and the Spirit would convict me of sin and help me set my sights on Christ.

These organized events can be refreshing and beneficial, but I’ve realized I should be seeking ministry from the Holy Spirit at all times. The Spirit’s ministry doesn’t have to be still, quiet, peaceful, and at a scheduled time. The Holy Spirit works in the mundane everyday moments of life — the nitty-gritty daily grind.

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“I Done It Already”: Why ‘The Revenant’ Doesn’t Fear Death

The fear of death grips us all. It can feel like a large gaping hole in our field of knowledge and experience. We are born with the instinct to self-preserve, and fear can be one of our biggest motivators. In the award-winning film The Revenant, the fear of death is a central theme, especially as displayed through the antagonist, John Fitzgerald (Tom Hardy), whose methods and motives of self-preservation contrast those of the protagonist Hugh Glass (Leonardo DiCaprio).What is the biggest indicator of fear in Fitzgerald’s life? It’s his hoarding.The word “revenant” originates from the French verb revenir, which means “to come back” or “to return.”

Leonardo DiCaprio is a haunting apparition in his Oscar-winning role as Hugh Glass. He primarily haunts Fitzgerald, but in a way he also haunts all of us. Glass is living proof of a battle with death. He fights death in the form of a bear and continues the battle for life as he seeks revenge for the death of his son. Glass haunts us all because he has faced one of the biggest fears of mankind—death. Yet by the end of the film, Glass is able to say, “I ain’t afraid to die anymore. I done it already.”

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